The idea of starting The Next Wave really began the year I graduated from Wright State- it was 1988, and I knew there wasn’t an ad agency in Dayton doing the kind of work I wanted to do. Most people would have moved to New York, Chicago, LA, San Francisco, Minneapolis or Portland OR, but, instead, I tried to move them here.
It took 2 years to get 100 Bonner transformed from the $2,200 boarded-up disaster into the building it is today, and in March of 1990, I had a Mac SE-30 with 4mb of RAM and a 20 MB hard drive, a Laserwriter II and no clients. I rented out part of my office to John Walker, former co-worker at Graphica, who is an amazingly talented graphic designer. We had separate businesses but worked together a lot. I sold, wrote, and marketed, he designed with markers and tissue paper and then I’d do production on a black and white screen of color projects.
My first employee was Jeanne Destro. You may remember her as DJ on WVUD, Magic104, WTUE. She introduced me to George Wymer who taught me everything I needed to know about buying radio. We did work for the Dayton Dynamo- and I remember sitting in a closet at WTUE with a very young Jim Hausfeld who helped us create cassette tapes of cuts of music to play in breaks- things like “Dirty Deeds Done Dirt Cheap” by AC/DC. Hausfeld went on to the head of commercial production for all of Clear Channel only recently leaving there to become a creative director at The Ohlman Group.
There are a ton of other people who helped my company grow. But there was one thing I learned before I got my first job in the field was that while a lot of people would interview me, only one gave me a chance in the business- Larry Holland, and that was only after five months of me pestering him. Larry ran Graphica, a company that formed by siphoning off half the team and half the clients from Wanamaker Advertising Arts. In the ad business this is typically how new firms start up- stealing accounts and talent and setting up a new shop. It was something I swore I’d never do. Even though Larry fired me after a few months after I’d rubbed one of his partners the wrong way after getting them into Mead Data Central (a client they continued to do work for – including the re-branding to LexisNexis) he remained a friend and mentor all the way up until his premature death about 14 years ago.
I promised myself to give young kids a chance at my place. I’ve never refused to review a portfolio, speak to students, offer assistance. I’ve had probably 20 interns that got their start in the business at The Next Wave, and I’ve also probably given as many their first job. In an attempt to share with you the parts of me that you won’t read about in the paper, or get from reading this blog, I asked for people who knew me to volunteer to tell their story. I’ve already posted Brad Proctor’s  and Stacy Thompson’s  testimonials. This post is about starting the career of Alan Dickinson, a young man who came to me to intern and now works for Frog Design  at their NYC office. He was the first to step up to tape, but it took us a little longer since we had to wait for some footage from NYC.
While lots of politicians talk about job creation, I’ve actually been creating careers since starting my own. Here’s the story of one of them:
Alan came to me as a 16 year old kid at Vandalia Butler. Normally, you only get a job in an ad agency at that age if your parents own it. He brought a painting he did at 12 that was better than somethings I’ve seen hanging on gallery walls, and a hand crafted box that he’d created to give something to his girlfriend Katie. I gave him a chance. Here is what he had to say about it:
To add a few personal things about me that you might not know:
- I grew up in a house that was built in Cleveland as a prototype for the 1939 New York World’s Fair by an architect, Harold Burdick.  It was built using the modern materials of the day- steel frame, plywood, glass block and was sponsored by GE as the “all electric house.” Reportedly it had the first two fluorescent lights in a residence. We had a lot of Lumiline light fixtures to illuminate the glass block bays. When my parents bought it in 1971 it was a mess- the glass block was mostly broken due to the steel rusting and expanding, crushing the block- they restored it and had it placed on the National Register of Historic places.
- I was the first junior to ever be named photo-editor of my high school’s yearbook. I spent 11th grade taking more pictures than notes and had to work extra hard my senior year just to have enough credits to graduate. I built my own darkroom in the “wine cellar” of the house and shot over 200 rolls of film that year. I still love to take pictures.
- A friend of my father’s, David Bensman, was a “Big Brother” to several kids as I grew up. He was one of my favorite people, he always had a sense of humor and liked to talk with all kinds of funny accents. He worked as a ceramics engineer of some sort at Ferro in Cleveland, coming up with coatings for your stove or refrigerator. When I was in high school I became friends with one of his “littles” and realized how much of an impact Dave had made on this young man. He was my inspiration to do the same when I got to Dayton. For the last 24 years, I’ve been following in his footsteps. Unfortunately, Bensman was shot to death in a home invasion around 15 years ago. I still think of him often and miss him.